Laura worked under the designer Olivier Theyskens’ during his tenure at Theory. From that day forth, the two discovered that they functioned better as a team, and continued to collaborate on design projects that would later culminate in the formation of Brock Collection.Īfter Parsons, Kris would sharpen his skills as a tailor while freelance assisting at runway shows for brands including Calvin Klein, Diane von Furstenberg, and Tommy Hilfiger. Their partnership began when Kris asked Laura to be a fit model for a wedding dress he'd created. The pair-a couple in both romance and profession-met in New York City while attending Parsons School of Design. The intent is not to be precious or prettified, but rather, to reflect something polished and confident-with-age an assurance that, even when the fireworks and the cinema seem distant, romance will live-and resonate-always. This collection channels that crescent, by starting with repurposed vintage floral jacquards, and layering in variables that mirror romance’s unlimited range: velvet ribbons, raw-edges, filigree bodysuits, flat-front trousers, leather gloves, air-light lace, organza and tulle flowers, and much more. But, before all else, and in whatever way it manifests, romance is forever. It arcs from the poised to the undone it is fantasy puzzle-piecing itself into reality.
Brock collection full#
Romance can be full of glory and theater-consider the golden-age film star waving goodbye to her loved one as the train pulls out of the station-or less fantastical and more routine, say, with, the same scene transpiring during Friday evening rush hour at Grand Central. We believe in the notion that romance is timeless-but that there is an ever-shifting ambience informing the term.
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